Agam Sérigraphie | Double Metamorphosis II (Suite of 5)
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Agam, Yaacov, Double Metamorphosis II (Suite of 5)


Signé Yaacov Agam, Sérigraphie, Double Metamorphosis II (Suite of 5)

Agam Sérigraphie Signé, Double Metamorphosis II (Suite of 5)

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Artiste: Agam, Yaacov (1928 - )
Titre: Double Metamorphosis II (Suite of 5)
Moyen:
Sérigraphie
Taille d'image: 29 x 43 in. (73.7 x 102.9 cm)
Taille encadrée: 39 x 53 in (99.1 x 134.6 cm)
Signé: Hand-signed by Yaacov Agam (Rishon LeZion, 1928-) in ink at the lower right of each image.
Edition: Numbered 33, 37, 39, 30, 39/180 in the lower left
Condition: These works are in excellent condition.
Prix 
$13,500
Article# 2023
MFA SALE 50% Off: $6,750 
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Addressing the concept of movement within time and space, this intriguing suite displays a gradual evolution from the absence of color to the predomination of color. We witness a sense of motion and progression in this striking series that engages us and keeps us guessing.


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Description historique:
Solomon states of Double Metamorphosis II, "Comprised of 5 serigraphs, it is the two-dimensional version of Agam's three-dimensional polymorphic painting in the permanent collection of the Museum of Modern Art, New York City. Movement within time and space is a primary component of these works. The transformations from absence of color to the full presence of color and from line to form, make this suite a double metamorphosis - a visual coming together of simplicity within complexity" (Solomon, p. 24).


These works are each hand-signed by Yaacov Agam (Rishon LeZion, 1928 - ) in ink in the lower right of each image. They are numbered in the progression 33, 37, 39, 30, 39/180 in the lower left.

DOCUMENTED AND ILLUSTRATED IN:

1. Solomon, Jack Jr. From the 2nd, to the 3rd, into the 4th Dimension…. Chicago: Circle Fine Art Press, 1981. Illustrated and discussed on pg. 24 -25.


ABOUT THE FRAMING:

Framed to archival museum grade conservation standards, these 5 works are framed in a complementary moulding with silk mats and optical grade Plexiglas.

Style: Kinetic art, optical art, 20th Century Contemporary Master, Jewish artist
 

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  • Agam, Ends Joined from The Evolution Suite #3, 1995
  • Agam, Acceleration
  • Agam, Meridia from Mexico Suite, 1985
  • Agam, Second Movement from Symphony Suite, 1994
  • Agam, Zahav Ner Schniem, 1990
  • Agam, Homage to Einstein
  • Agam, Homage a Beethoven
  • Agam, Yucatan Magic from Mexico Suite, 1980
  • Agam, Birthday Rainbow from La Gamme d'Agam Suite, 1993
  • Agam, Memorie #2
  • Agam, Mirage from Never Before Suite, 1985
  • Agam, Double Metamorphosis II (Suite of 5)

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La biographie de Yaacov Agam

Yaacov AgamYaacov Agam (1928 - )

Yaacov Agam is a truly unique, creative force in the world of art. His works transcend traditional artistic boundaries, propelling him into the forefront of a new art aesthetic. Art critics and art historians in museums and institutions throughout the world have acclaimed him for his inventive, talented genius, bestowing upon him numerous awards and honors. Agam is certainly among the world's foremost artists, and he is already recognized as influential and important in the history of art. The son of an Orthodox Rabbi, scholar and writer, Agam was born on May 11, 1928 in Rishon Letzion, Israel. As a child, he began to draw, despite religious proscription against visual expression. Agam's family recognized his artistic ability and, in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus, he discovered the differences between other cultures which stress the afterlife and the Hebrew culture which emphasizes the present. Because Judaism believes life is dynamic and ever-changing, Agam determined that static paintings were inadequate to express the constantly occurring changes which surround us. In 1950, upon Ardores recommendation, Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1951, Agam moved to Paris. A number of the world-famous Surrealist artists living in France were the first to discover and encourage him. His first one-man exhibition held at Galerie Craven, Paris in 1953, featured kinetic and transformable paintings which invited spectator participation. The show was a critical success and attracted considerable attention in art circles. Max Ernst was the first person to acquire a work by Agam.

AGAMOGRAPH: An Agamograph is a serigraphed image of slivers of a number of images placed side by side. Once the image is created, there is a corrugated lenticular optical lens fused on top of the printed image. As the viewer moves back and forth in front of the image the image is in constant change as the viewer moves. A common misspelling is 'Agamagraph'.

Les artistes contemporains reliés:
Agam | Arman | Butterfield Cheval | Calder | Chia | Francis | Haring | Lichtenstein | Nierman | Noland | Shemi | Vasarely | Warhol | Yvaral