Print Page
Email to FriendHendrik Goltzius, Gravure, The Flagellation (from the Passion), c. 1596 - 1597  |
Placer votre curseur ci-contre pour agrandir l'image:
Cliquez sur chaque pièce pour voir comment l'œuvre d'art serait potentiellement regarder:
| Artiste: | Goltzius, Hendrik (1558 - 1617) |
|---|---|
| Titre: | The Flagellation (from the Passion), c. 1596 - 1597 |
| Référence: | [B. 32; St. 339 I, II] |
| Moyen: | Gravure |
| Taille d'image: | 7 3/4 in x 5 1/8 in (19.7 cm x 13.03 cm) |
| Taille de feuille: | 7 3/4 in x 5 1/8 in (19.7 cm x 13.03 cm) |
| Taille encadrée: | 25 1/2 in x 22 5/8 in (64.77 cm x 57.48 cm) |
| Signé: | Featuring the monogram signature of Hendrick Goltzius (Muhlbracht, 1558- Haarlem, 1617), 'HG' in the lower left. Engraved date, |
| Condition: | In excellent condition, a bold, crisp impression |
| Prix: Article# 2115 | Vendu. Please visit the rest of our Goltzius fine art collection |
About Us: Masterworks Fine Art efforce s'être la meilleure source de bien art pour nos clients et nos collecteurs partout dans le monde. Nous croyons la façon la plus directe pour accomplir ceci est en établant une vie de relations personnelles et professionnelles avec nos clients. Plus de Nous »
![Goltzius, The Bearing of the Cross (from the Passion) [B. 35; St. 353]](/inventory/goltzius/prev_goltzius2117.jpg)
Do you own a similar Goltzius to sell? We offer free evaluations.
La biographie de Hendrik Goltzius
Hendrick Goltzius, the most important Dutch artist of his generation and a founder of the seventeenth-century Haarlem school, was born in Muhlbracht in 1558. After learning the trade of glass painting from his father, Jan II Goltz, Hendrick studied with Dirck Volckertsz. Coornhert in Xanten, who taught him the art of engraving. In 1577, Goltzius settled in Haarlem, where he made numerous reproduced engravings for the Antwerp publisher Philip Galle, and by 1582 had established a flourishing atelier in which prints of his own invention were also made and published.
In 1583, the Flemish painter-theoretician Carel van Mander arrived in Haarlem, and introduced Goltzius to the work of the Flemish artist Bartholomaeus Spranger (1546-1611). Goltzius was quickly seduced by Spranger's flamboyant mannerist style, and not only made many prints after his works, but also began to incorporate Spranger's elegantly attenuated figures and violent foreshortenings into his own engravings.
In 1590, Goltzius travelled to Italy, where he studied ancient sculpture and paintings of the High Renaissance masters in Rome, Florence, Venice and Bologna. Upon his return to Haarlem the following year, Goltzius abandoned his earlier mannerist mode, turning instead to the more normative, classic forms of the Italian and Northern Renaissance, a change which would prove decisive for the rest of his career. Around the turn of the century, Goltzius exchanged his engraver's tools for the painter's brush, in part due to failing eyesight after years of close work with the burin, but also in response to the theory of his friend van Mander, who held painting above the graphic arts. Goltzius's paintings are relatively rare. Approximately fifty autograph works are known, and all date from between c.1600 and 1617, the year of the artist's death.
Drawings, engravings and paintings by Goltzius can be found in many major institutions around the world.
