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Email to FriendSigné Pablo Picasso, Lithographie, Art & Solidarity, 1960  |
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| Artiste: | Picasso, Pablo (1881 - 1973) |
|---|---|
| Titre: | Art & Solidarity, 1960 |
| Moyen: | Lithographie |
| Taille d'image: | 25 x 19 3/4 in (63.5 cm x 50.165 cm) |
| Taille encadrée: | 42 3/4 in x 37 1/8 in (108.59 cm x 94.3 cm) |
| Signé: | This work is hand-signed by Pablo Picasso (1881 - 1973) in pencil in the lower right of the image (also signed and dated in the stone in the lower right just below the pencil signature "Picasso | le 4.10.60".) |
| Edition: | Numbered 166/200 in pencil in the lower left margin. |
| Condition: | This work is in excellent condition. |
| Prix: Article# 2688 | Vendu. Please visit the rest of our Picasso fine art collection |
| Description historique: | |
|---|---|
| This stunning and creative work was realized after Picasso had been inspired
by his family, Françoise Gilot and their children, Paloma and Claude.
They are featured in profile, in a staggered composition and simplistically
created with Picasso's signature, fluid lines. A bold, bright blue sea of color
enhances the characters as it flows gently down the center of the composition,
seemingly forming a small, graceful river that meanders along the curves and
humps of their noses and lips. According to Rodrigo, "[the drawing] was
produced using as its subject, a lithograph in colour that Picasso had done
of Françoise Gilot and their children…and which he provided for
use in the poster for the children's campaign" (242).
Created on October 4, 1960, this work is from the edition of 200 on watermarked Arches block paper with large margins, and only these 200 impressions were signed and numbered by the artist (aside from the poster edition, and an additional 300 unsigned impressions). This edition was printed by Imprimerie Mourlot, Paris 1961. This work is hand-signed by Pablo Picasso (1881 - 1973) in pencil in the lower right margin and also signed and dated in the stone in the lower right just above the pencil signature "Picasso | le 4.10.60". Numbered 166/200 in pencil in the lower left margin.
1. Czwiklitzer, Christopher. Picasso's Posters, 1971. Listed and illustrated
as catalogue raisonné no. 170 with details on page 330. About the Framing: | |
| Style: | Cubism, Blue Period, Rose Period, 20th Century Spanish Modern Master, Madoura ceramics of Vallauris, Vollard |
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La biographie de Pablo Picasso
Pablo Picasso (1881 - 1973)
"Yet Cubism and Modern art weren't either scientific or intellectual; they were visual and came from the eye and mind of one of the greatest geniuses in art history. Pablo Picasso, born in Spain, was a child prodigy who was recognized as such by his art-teacher father, who ably led him along. The small Museo de Picasso in Barcelona is devoted primarily to his early works, which include strikingly realistic renderings of casts of ancient sculpture.
"He was a rebel from the start and, as a teenager, began to frequent the Barcelona cafes where intellectuals gathered. He soon went to Paris, the capital of art, and soaked up the works of Manet, Gustave Courbet, and Toulouse-Lautrec, whose sketchy style impressed him greatly. Then it was back to Spain, a return to France, and again back to Spain - all in the years 1899 to 1904.
"Before he struck upon Cubism, Picasso went through a prodigious number of styles - realism, caricature, the Blue Period, and the Rose Period. The Blue Period dates from 1901 to 1904 and is characterized by a predominantly blue palette and subjects focusing on outcasts, beggars, and prostitutes. This was when he also produced his first sculptures. The most poignant work of the style is in Cleveland's Museum of Art, La Vie (1903), which was created in memory of a great childhood friend, the Spanish poet Casagemas, who had committed suicide. The painting started as a self-portrait, but Picasso's features became those of his lost friend. The composition is stilted, the space compressed, the gestures stiff, and the tones predominantly blue. Another outstanding Blue Period work, of 1903, is in the Metropolitan, The Blind Man's Meal. Yet another example, perhaps the most lyrical and mysterious ever, is in the Toledo Museum of Art, the haunting Woman with a Crow (1903).
"The Rose Period began around 1904 when Picasso's palette brightened, the paintings dominated by pinks and beiges, light blues, and roses. His subjects are saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive. One of the premier works of this period is in Washington, D.C., the National Gallery's large and extremely beautiful Family of Saltimbanques dating to 1905, which portrays a group of circus workers who appear alienated and incapable of communicating with each other, set in a one-dimensional space.
"In 1905, Picasso went briefly to Holland, and on his return to Paris, his works took on a classical aura with large male and fernale figures seen frontally or in distinct profile, almost like early Greek art. One of the best of these of 1906 is in the Albright-Knox Gallery in Buffalo, NY, La Toilette. Several pieces in this new style were purchased by Gertrude (the art patron and writer) and her brother, Leo Stein.
Picasso enjoyed creating his art on many media. From paintings to etchings to ceramics, all of his works are a testament to his skills. There are even Picasso prints that are worth more than unique original works.
