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Email to FriendSigné Rene Magritte, Lithographie, La cascade (The Waterfall), 1961, Series 1  |
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| Artiste: | Magritte, Rene (1898 - 1967) |
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| Titre: | La cascade (The Waterfall), 1961, Series 1 |
| Moyen: | Lithographie |
| Taille d'image: | 24 3/16 in x 19 7/16 in (61.4 cm x 49.4 cm) |
| Taille de feuille: | 30 5/8 in x 22 7/8 in (77.8 cm x 58.1 cm) |
| Taille encadrée: | 40 1/4 in x 36 1/8 in (102.2 cm x 91.8 cm) |
| Signé: | Signed 'Magritte' in facsimile in graphite color in the lower right margin. Signed in pencil in the lower left margin by the representative of ADAGP representing the Magritte Succession, Mr. Charly Herscovici. |
| Edition: | Numbered 284/300 in pencil in the lower left margin (from the total edition of 360, 300 examples numbered 1-300, 45 artist's proofs numbered 1-45, and 15 copies reserved for the Succession Magritte). |
| Condition: | This work is in excellent condition with vibrant colors throughout |
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Prix spécial
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Article# 2867
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Exemplifying what Magritte calls "differences of a spatial order," this stunning image distances art from the outside world. The easel, a recurring motif within Magritte's work, signifies the difficulty of artwork to convey meaning. Magritte encourages us to ponder the real versus the imagined by placing a framed image of a forest within a shroud of trees, leading us to wonder if the art itself is placed within the forest that it depicts. |
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| Description historique: | |
| Of this work Whitfield states, "In earlier works, art and the outside world
unite in a single reality, whereas here they are distanced from each other by
what Magritte called 'differences of a spatial order.' Thus the interior forest
encloses a painting of the exterior and the two are joined together…It
was a painting that Magritte considered particularly successful (he described
it as being 'extraordinarily alive') and he took the trouble to reproduce it
in colour in the fifth issue of André Bosmans's review, Rhétorique,
together with a text by Marcel Lecomte" (Whitfield, no. 121).
Created after the 1961 original oil on canvas La cascade (The Waterfall) by René Magritte (1898-1967), this original color lithograph was published and printed by Philippe Moreno, Paris in 2003. This work signed 'Magritte' in facsimile in graphite color in the lower right margin and signed in pencil in the lower left margin by the representative of ADAGP representing the Magritte Succession, Mr. Charly Herscovici. Numbered 284/300 in pencil in the lower left margin (from the total edition of 360, 300 examples numbered 1-300, 45 artist's proofs numbered 1-45, and 15 copies reserved for the Succession Magritte), this work is stamped with the ADAGP blindstamp in the lower left margin and the Succession Magritte blindstamp in the lower right margin. On the back of this work is an extensive block of printed text stating the title, provenance, tirage, and details of the original oil on canvas.
About the Framing: | |
| Style: | Surrealism |
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La biographie de Rene Magritte
René Magritte was a Belgian surrealist artist whose witty and thought-provoking images challenged observers’ preconditioned perceptions of reality. Magritte's work frequently displays a juxtaposition of ordinary objects in an unusual context, giving new meanings to familiar things.
Magritte grew up in a simple and somewhat tragic household. His father was a modest tailor. His mother, who was mentally unsound, committed suicide in the year 1912. Magritte started drawing at a young age, and his first paintings, produced c. 1915, were Impressionistic in style.
Magritte first worked as a draughtsman in a wallpaper factory and, in the year 1922, fell in love with and married Georgette Berger. In 1926, Magritte signed a contract with Galerie La Centaure in Brussels, making it possible for him to paint full-time. During this time, inspired by his friend André Breton, he became involved with the Surrealist group.
During the German occupation of Belgium in World War II, he stayed in Brussels. He continued to paint, gaining increased recognition. His work was exhibited in the United States in New York multiple times, including 2 retrospective exhibitions at the Museum of Modern Art and the Metropolitan Museum of Art. In 1967, Magritte died of pancreatic cancer, his imagery having greatly influenced pop, minimalist, and conceptual art.
