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fine art home > BUY ORIGINALS > GEORGES BRAQUE > Lithographie
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Braque, Georges, Les Champs, 1962

Braque Lithographie Signé, Les Champs, 1962 Signé Georges Braque Lithographie, Les Champs, 1962

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Braque Lithographie Signé, Les Champs, 1962 (image 1) Braque Lithographie Signé, Les Champs, 1962 (image 2) Braque Lithographie Signé, Les Champs, 1962 (image 3) Braque Lithographie Signé, Les Champs, 1962 (image 4)
Artiste: Braque, Georges (1882 - 1963), After
Titre: Les Champs, 1962
Référence: Maeght 1045
Moyen:
Lithographie
Taille d'image: 10 7/8 in x 17 3/4 in (27.6 cm x 45 cm)
Signé: This work is hand signed by Georges Braque (Argenteuil-sur-Seine, 1882- Paris, 1963) in pencil in the lower right margin.
Edition: Numbered from the edition of 300 in pencil in the lower left margin; published by Maeght Éditeur, Paris.
Condition: This work is in excellent condition.
Prix 
$6,500
Article# 3030
Sale Price $4,875 
Description historique:

Featuring earthly tones of brown, beige and black, this work features an extremely volatile landscape complete with mysterious fields and clouds. The use of full margins further accentuates the expressive, as well as tonal qualities of the work. This composition is most likely a rendering of a home Braque owned near the Normandy Coast around 1930. While the work resembles the extremely dramatic coastline of northern France, it also functions as an abstract composition featuring a sense of energy and movement which is unique to Braque's later career.

This stunning seascape scene figures in a series of lithographs published by Maeght Éditeur, Paris which were inspired by Georges Braque's watercolors, gouaches, and paintings.Created in 1962, this original color lithograph is hand signed by Georges Braque (Argenteuil-sur-Seine, 1882- Paris, 1963) in pencil in the lower right margin, and numbered out of an edition of 300 in pencil in the lower left margin.

Catalogue Raisonné & COA:
This work is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work).

1. Vallier, Dora; Braque: The Complete Graphics Catalogue Raisonné, 1982, listed as Maeght, no. 1045 on page 296.

2. A Certificate of Authenticity will accompany this work.

About the Framing:
This work is framed to museum-grade, conservation standards, presented in a complimentary moulding and finished with silk-wrapped mats and optical grade Plexiglas.

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Style: Picasso Cubism, Cubist 20th Century French Modern Master
Braque Lithographie Signé, Les Champs, 1962
Braque Lithographie Signé, Les Champs, 1962
Braque Lithographie Signé, Les Champs, 1962
Braque Lithographie Signé, Les Champs, 1962
Braque Lithographie Signé, Les Champs, 1962
Braque Lithographie Signé, Les Champs, 1962
Braque Lithographie Signé, Les Champs, 1962
Braque Lithographie Signé, Les Champs, 1962
Braque Lithographie Signé, Les Champs, 1962
Braque Lithographie Signé, Les Champs, 1962
Braque Lithographie Signé, Les Champs, 1962

Georges Braque biographie

Georges BraqueGeorges Braque (1882 - 1963)

Georges Braque was born 1882, in Argenteuil-sur-Seine, France. He grew up in Le Havre and studied evenings at the Ecole des Beaux-Arts from about 1897 to 1899. He left for Paris to study under a master decorator and received his craftsman certificate in 1901. From 1902 to 1904 he painted at the Académie Humbert in Paris, where he met Marie Laurencin and Francis Picabia. By 1906, Braque's work was no longer Impressionist but Fauve in style and after spending that summer in Antwerp, he showed his Fauve work the following year in the Salon des Indépendants in Paris.

His first solo show was at Daniel-Henri Kahnweiler's gallery in 1908 and in 1909, Pablo Picasso and Braque worked together in developing Cubism. By 1911, their styles were extremely similar and in 1912 they started to incorporate collage elements into their paintings and to experiment with the papier collé (pasted paper) technique. Their artistic collaboration lasted until 1914 when Braque left to serve in the French army during World War I and was subsequently wounded.

After World War I Braque's work changed and became freer and less schematic. In 1922 he did an exhibition at the Salon d'Automne in Paris where his fame continued to grow. By the end of the decade, he had returned to a more realistic interpretation of nature, although certain aspects of Braque's Cubism always remained present in his work. His first important retrospective took place in 1933 at the Kunsthalle Basel, and he won First Prize at the Carnegie International, Pittsburgh, in 1937.

During World War II, Braque remained in Paris. His paintings at that time, primarily still lifes and interiors, became more somber. In addition to paintings, he also made etchings, lithographs, engravings, prints and sculpture. From the late 1940s, he treated various recurring themes, such as birds, ateliers, landscapes, and seascapes. In 1954, he designed stained-glass windows for the church of Varengeville. During the last few years of his life, he continued to paint, make lithographs, and design jewelry, dying in 1963 in Paris.

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Artistic Styles of Braque

Les styles de Georges Braque: Picasso Cubism, Cubist 20th Century French Modern Master

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