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Email to FriendSigné Rene Magritte, Lithographie, Le retour (Return), 1940, Series 2  |
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| Artiste: | Magritte, Rene (1898 - 1967) |
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| Titre: | Le retour (Return), 1940, Series 2 |
| Moyen: | Lithographie |
| Taille d'image: | 25 1/8 in x 19 3/8 in (63.8 cm x 49.2 cm) |
| Taille de feuille: | 30 5/8 in x 22 7/8 in (77.8 cm x 58.1 cm) |
| Taille encadrée: | 41 5/8 in x 36 in (105.7 cm x 91.4 cm) |
| Signé: | Signed 'Magritte' in facsimile in graphite color in the lower right margin. Signed in pencil in the lower left margin by the representative of ADAGP representing the Magritte Succession, Mr. Charly Herscovici. |
| Edition: | Numbered from the edition of 300 in pencil in the lower left margin (from the total edition of 360, 300 examples numbered 1-300, 45 artist's proofs numbered 1-45, and 15 copies reserved for the Succession Magritte). |
| Condition: | This work is in excellent condition with vibrant colors throughout |
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Prix spécial
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Article# 3116
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Addressing the dislocation of space and time, Magritte depicts two of his favorite subjects: the sky and a bird. We witness the simultaneous occurrence of day and night with the soaring bird serving as a window to the cloud-speckled daytime sky and are left in a dreamlike state, not sure of what we are seeing. |
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| Description historique: | |
| A bird composed of a brilliant blue daytime sky dotted with soft, white clouds
soars in the darkness of night. Below her rests a nest with three white eggs.
The forest below, shrouded in darkness, appears peaceful and distant. This bird
is frozen in motion, captured in time. Much like Magritte's Dominion of Light
paintings, this work simultaneously depicts night and day, capturing the viewer
in an indiscernible, dreamlike moment.
Created after the 1940 original oil on canvas Le retour (Return) by René Magritte (1898-1967), this original color lithograph was published and printed by Philippe Moreno, Paris in 2003. This work is signed 'Magritte' in facsimile in graphite color in the lower right margin and signed in pencil in the lower left margin by the representative of ADAGP representing the Magritte Succession, Mr. Charly Herscovici. Numbered 246/300 in pencil in the lower left margin (from the total edition of 360, 300 examples numbered 1-300, 45 artist's proofs numbered 1-45, and 15 copies reserved for the Succession Magritte), this work is stamped with the ADAGP blindstamp in the lower left margin and the Succession Magritte blindstamp in the lower right margin. On the back of this work is an extensive block of printed text stating the title, provenance, tirage, and details of the original oil on canvas. DOCUMENTED AND ILLUSTRATED IN: About the Framing: | |
| Style: | Surrealism |
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La biographie de Rene Magritte
René Magritte was a Belgian surrealist artist whose witty and thought-provoking images challenged observers’ preconditioned perceptions of reality. Magritte's work frequently displays a juxtaposition of ordinary objects in an unusual context, giving new meanings to familiar things.
Magritte grew up in a simple and somewhat tragic household. His father was a modest tailor. His mother, who was mentally unsound, committed suicide in the year 1912. Magritte started drawing at a young age, and his first paintings, produced c. 1915, were Impressionistic in style.
Magritte first worked as a draughtsman in a wallpaper factory and, in the year 1922, fell in love with and married Georgette Berger. In 1926, Magritte signed a contract with Galerie La Centaure in Brussels, making it possible for him to paint full-time. During this time, inspired by his friend André Breton, he became involved with the Surrealist group.
During the German occupation of Belgium in World War II, he stayed in Brussels. He continued to paint, gaining increased recognition. His work was exhibited in the United States in New York multiple times, including 2 retrospective exhibitions at the Museum of Modern Art and the Metropolitan Museum of Art. In 1967, Magritte died of pancreatic cancer, his imagery having greatly influenced pop, minimalist, and conceptual art.
