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Email to FriendSigné Georges Braque, Lithographie, Le char de Médée, c. 1960  |
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| Artiste: | Braque, Georges (1882 - 1963), After |
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| Titre: | Le char de Médée, c. 1960 |
| Moyen: | Lithographie |
| Taille d'image: | 22 3/4 in x 17 5/8 in (57.8 cm x 44.8 cm) |
| Taille de feuille: | 22 3/4 in x 17 5/8 in (57.8 cm x 44.8 cm) |
| Taille encadrée: | 36 in x 31 in (91.4 cm x 78.7 cm) |
| Signé: | Hand-signed by Georges Braque (Argenteuil, Val-d'Oise, 1882 - Paris, 1963) in white in the lower left margin. |
| Condition: | This work is in excellent condition |
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Prix
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Article# 3134
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| MFA SALE | 50% Off: $5,000 |
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Tapping into the symbolism and history that accompanies the subject of a chariot, this piece revives the excitement felt when witnessing an ancient chariot race. Noteworthy for its strong color contrasts and somewhat eerie, skeletal horse and rider, Braque creates an image filled with a sense of animation and liveliness that instantly captures our eye. |
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| Description historique: | |
This fascinating and lively piece instantly captures the viewer's attention. Considered an ancient symbol of power and glory, the chariot is delved with history that dates back to 2000 B.C. Braque tapped into this inherent symbolism and history as he created this exciting and eventful scene. Featuring rearing horses in flight while pulling the brilliant gold chariot behind them, this work is full of movement and action. Composed of sharp, jagged gold lines, the skeletal chariot driver lacks a face but appears caught up in the chaos and action, as his or her hair blows back into the wind. Braque utilizes a brilliant color contrast between pitch black and brilliant yellow-gold, causing the image of the chariot to pop out against the black background. Created c. 1960, this color lithograph was created based on a gouache on cardboard. This piece is hand-signed by Georges Braque (Argenteuil, Val-d'Oise, 1882 - Paris, 1963) in white in the lower left margin. About the Framing: | |
| Style: | Picasso Cubism, Cubist 20th Century French Modern Master |
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La biographie de Georges Braque
Georges Braque (1882 - 1963)
Georges Braque was born on May 13, 1882, in Argenteuil-sur-Seine, France. He grew up in Le Havre and studied evenings at the Ecole des Beaux-Arts there from about 1897 to 1899. He left for Paris to study under a master decorator to receive his craftsman certificate in 1901. From 1902 to 1904, he painted at the Académie Humbert in Paris, where he met Marie Laurencin and Francis Picabia. By 1906, Braque's work was no longer Impressionist but Fauve in style; after spending that summer in Antwerp with Othon Friesz, he showed his Fauve work the following year in the Salon des Indépendants in Paris. His first solo show was at Daniel-Henri Kahnweiler's gallery in 1908. From 1909, Pablo Picasso and Braque worked together in developing Cubism; by 1911, their styles were extremely similar. In 1912, they started to incorporate collage elements into their paintings and to experiment with the papier collé (pasted paper) technique. Their artistic collaboration lasted until 1914. Braque served in the French army during World War I and was wounded; upon his recovery in 1917, he began a close friendship with Juan Gris.
After World War I, Braque's work became freer and less schematic. His fame grew in 1922 as a result of an exhibition at the Salon d'Automne in Paris. In the mid-1920s, Braque designed the decor for two Sergei Diaghilev ballets. By the end of the decade, he had returned to a more realistic interpretation of nature, although certain aspects of Braque's Cubism always remained present in his work. In 1931, Braque made his first engraved plasters and began to portray mythological subjects. His first important retrospective took place in 1933 at the Kunsthalle Basel. He won First Prize at the Carnegie International, Pittsburgh, in 1937.
During World War II, Braque remained in Paris. His paintings at that time, primarily still lifes and interiors, became more somber. In addition to paintings, he also made Braque etchings, lithographs, engravings, prints and sculpture. From the late 1940s, he treated various recurring themes, such as birds, ateliers, landscapes, and seascapes. In 1954, he designed stained-glass windows for the church of Varengeville. During the last few years of his life, Braque's ill health prevented him from undertaking further large-scale commissions, but he continued to paint, make lithographs, and design jewelry. He died on August 31, 1963, in Paris.
