Miro Gravure à l'eau-forte Aquatinte | L'Oiseau-fusée vise la fourche glissant en cascade vers le point noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952
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Joan Miro, L'Oiseau-fusée vise la fourche glissant en cascade vers le point noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952


Signé Joan Miro, Gravure à l'eau-forte Aquatinte, L'Oiseau-fusée vise la fourche glissant en cascade vers le point noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952

Miro Gravure à l'eau-forte Aquatinte Signé, L\'Oiseau-fusée vise la fourche glissant en cascade vers le point  noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952

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Miro Gravure à l'eau-forte Aquatinte Signé, L\'Oiseau-fusée vise la fourche glissant en cascade vers le point  noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952 (thumbnail 1) Miro Gravure à l'eau-forte Aquatinte Signé, L\'Oiseau-fusée vise la fourche glissant en cascade vers le point  noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952 (thumbnail 2) Miro Gravure à l'eau-forte Aquatinte Signé, L\'Oiseau-fusée vise la fourche glissant en cascade vers le point  noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952 (thumbnail 3) Miro Gravure à l'eau-forte Aquatinte Signé, L\'Oiseau-fusée vise la fourche glissant en cascade vers le point  noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952 (thumbnail 4)

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Miro Gravure à l'eau-forte Aquatinte Signé, L\'Oiseau-fusée vise la fourche glissant en cascade vers le point  noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952 (thumbnail room-view)
Miro Gravure à l'eau-forte Aquatinte Signé, L\'Oiseau-fusée vise la fourche glissant en cascade vers le point  noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952 (thumbnail room-view)
Miro Gravure à l'eau-forte Aquatinte Signé, L\'Oiseau-fusée vise la fourche glissant en cascade vers le point  noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952 (thumbnail room-view)
Miro Gravure à l'eau-forte Aquatinte Signé, L\'Oiseau-fusée vise la fourche glissant en cascade vers le point  noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952 (thumbnail room-view)
Miro Gravure à l'eau-forte Aquatinte Signé, L\'Oiseau-fusée vise la fourche glissant en cascade vers le point  noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952 (thumbnail room-view)
Miro Gravure à l'eau-forte Aquatinte Signé, L\'Oiseau-fusée vise la fourche glissant en cascade vers le point  noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952 (thumbnail room-view)
Artiste: Miro, Joan (1893 - 1983)
Titre: L'Oiseau-fusée vise la fourche glissant en cascade vers le point noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952
Moyen:
Gravure à l'eau-forte Aquatinte
Taille d'image: 17 3/4 in x 13 5/8 in (45.2 cm x 34.6 cm)
Taille de feuille: 21 1/2 in x 18 1/2 in (54.6 cm x 47 cm)
Taille encadrée: 37 3/4 in x 34 1/4 in (95.9 cm x 87 cm)
Signé: Hand signed by Joan Miró (Barcelona, 1893- Palma, 1983) in pencil in the lower right.
Edition: Numbered 4/200 (from the edition of 200) in pencil in the lower left.
Condition: This work is in excellent condition, a fine, bold impression with brilliant colors.
Prix 
$35,000
Article# 3417
MFA SALE $14,500 
  Présenter votre prix Acheter maintenant

Composed of a bold and vivid palette with active and gestural imagery, Miró intrigues the viewer with his interconnection of abstraction and figurative elements. Painterly in quality, this monumental piece captures the eye and evokes a sense of the lyrical and playful quality of the artist's work.


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Description historique:

Having been hailed as one of the foremost important surrealists of the 20th century, Miro's work has been interpreted as having a childlike air, having a 2-dimensional quality that also exhibits an inherent Spanish and Catalonian pride. This piece features the "rocket bird" in the lower left, poised as if ready for takeoff against a starry sky. Contrasting hues of bronzes and browns are complimented by red, green, blue, and black accents which are both bold in color and rich in depth. Miro challenges us to delve deep into our imagination and perhaps even into our subconscious as he transforms this piece into a beautiful, surrealist work slowly revealed and developed to its audience.

Created in 1952, this piece is hand signed by Joan Miró (Barcelonga, 1893- Palma, 1983) in pencil in the lower right and numbered 4/200 (from the edition of 200) in pencil in the lower left.

PROVENANCE:
1. Galerie Hergeröder, Germany
2. Private Collection of Oliver Stadelmann


DOCUMENTED AND ILLUSTRATED IN:

1) Dupin, Jacques & Ariane Lelong-Mainaud. Joan Miró - Catalogue Raisonné, Paintings, vol. III: 1942-1955, Paris, 2001. Painting is illustrated and listed as cat. no. 898 on pg. 182.

ABOUT THE FRAMING:
Framed to archival museum grade conservation standards, this piece is framed in a complementary moulding with silk mats and optical grade Plexiglas.

Style: Surrealism, 20th Century Modern Surrealist Spanish Master
 

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  • Miro, Flux de l'Aimant VII (Magnetic Flow No. 7), 1964
  • Miro, Flux de l'Aimant VI (Magnetic Flow No. 6), 1964
  • Miro, Flux de l'Aimant V (Magnetic Flow No. 5), 1964
  • Miro, Lithograph VI from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro, Lithograph VII from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro, Lithograph VIII from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro, Lithograph III from Miró, Obra Inedita Recent, 1964, M. 424
  • Miro,  L'enfance d'Ubu, 1975
  • Miro, L'enfance d'Ubu, 1975
  • Miro, L'enfance d'Ubu, 1975
  • Miro, Flux de l'aimant (The Magnet's Flow), 1964
  • Miro, El Sobreviviente Visita Los Pájaros I (The Survivor Visits the Birds I)
  • Miro, El Sobreviviente Visita Los Pájaros II (The Survivor Visits the Birds II)
  • Miro, À Toute Épreuve, 1958
  • Miro, Quelques fleurs pour des amis (Some flowers for friends), 1964
  • Miro, Poster for the film 'Umbracle,' 1973
  • Miro, Le ciel du forgeron, 1964
  • Miro, Ubu Aux Baléares, 1971
  • Miro, Ubu Aux Baléares, 1971
  • Miro, Exhibition Recent Works, 1953
  • Miro, Chevauchée - Brun (Horse-Ride - Brown), 1969
  • Miro,  Gravé sur le givre I, 1972
  • Miro, Les magies, 1972
  • Miro, Hommage a Joan Miró, 1973
  • Miro, Catalogue for the Exhibition 'Miro,' Sala Pelaires, Palma de Majorca, 1970
  • Miro, Miró lithographs I, 1972
  • Miro, Miró lithographs I, 1972
  • Miro,  Miró lithographs I, 1972
  • Miro, Miró lithographs I, 1972
  • Miro, La Dame aux damiers (Lady with Checkers), 1969
  • Miro, Set of Four from the Miró lithographs I, 1972 Suite
  • Miro, Le Moulin à Café (The Coffee Grinder), 1954
  • Miro, La Pluie Matinale au Clair de Lune (Morning Rain in Moonlight), 1958
  • Miro, Etching from L'Issue Dérobée, 1974, D. 688 and 692
  • Miro, Soleil Noye I, 1962
  • Miro, Set of 10 Works from Tracé sur l'eau (Trace on the Water), 1963
  • Miro, Cartons, 1965
  • Miro, Tête étoile (Star Head), 1961
  • Miro, La Captive (The Captive), 1969
  • Miro, Méandres et vent (Meanders & Wind), 1964
  • Miro, Homenatge à Joan Prats (Homage to Joan Prats)
  • Miro, Ubu Roi (King Ubu) from Suites pour Ubu Roi, 1966
  • Miro, Strindberg Mappen, 1976
  • Miro, L'Aïeule des 10,000 Âges (The Grandmother of 10,000 Ages), 1976
  • Miro, Et l'oiseau s'enfuit vers les pyramides aux flancs ensanglantés par la chute de rubis (And the Bird Flew Off to the Pyramids, Their Sides All Covered with Blood From Falling Rubies), 1954
  • Miro, Sur quatre murs (On Four Walls), 1951
  • Miro,  Le Chien Bleu (The Blue Dog), 1959
  • Miro, Emephylop, 1968
  • Miro, Ubu Roi (King Ubu) from Suites pour Ubu Roi, 1966
  • Miro, L'Oiseau-fusée vise la fourche glissant en cascade vers le point  noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952

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La biographie de Joan Miro

Joan MiroJoan Miro (1893 - 1983)

Joan Miró Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonja’s Escuela Superior de Artes Industriales y Bellas Artes in the same city. Upon completing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915. Miró received early encouragement from the dealer José Dalmau, who gave him his first solo show at his gallery in Barcelona in 1918. In 1917, he met Francis Picabia.

In 1920, Miró made his first trip to Paris, where he met Pablo Picasso. From this time, Miró divided his time between Paris and Montroig, Spain. In Paris, he associated with the poets Max Jacob, Pierre Reverdy, and Tristan Tzara and participated in Dada activities. Dalmau organized Miró’s first solo show in Paris, at the Galerie la Licorne in 1921. His work was included in the Salon d’Automne of 1923. In 1924, Miró joined the Surrealist group. His solo show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; Miró was included in the first Surrealist exhibition at the Galerie Pierre that same year. He visited the Netherlands in 1928 and began a series of paintings inspired by Dutch masters. This year he also executed his first papiers collés and collages. In 1929, he started his experiments in lithography. Miro's first etchings date from 1933. During the early 1930s, he made Surrealist sculptures incorporating painted stones and found objects. In 1936, Miró left Spain because of the civil war; he returned in 1941. Also in 1936, Miró was included in the exhibitions Cubism and Abstract Art and Fantastic Art, Dada, Surrealism at the Museum of Modern Art, New York. The following year, he was commissioned to create a monumental work for the Paris World’s Fair.

Miró’s first major museum retrospective was held at the Museum of Modern Art, New York, in 1941. That year, Miró began working in ceramics with Josep Lloréns y Artigas and started to concentrate on prints; from 1954 to 1958, he worked almost exclusively in Miro prints and ceramics. He received the Grand Prize for Graphic Work at the Venice Biennale in 1954, and his work was included in the first Documenta exhibition in Kassel the following year. In 1958, he was given a Guggenheim International Award for murals for the UNESCO building in Paris. The following year, he resumed painting, initiating a series of mural-sized canvases. During the 1960s, he began to work intensively in sculpture. Miró retrospectives took place at the Musée National d’Art Moderne, Paris, in 1962, and the Grand Palais, Paris, in 1974. He also worked with carborundum around this time. In 1978, the Musée National d’Art Moderne exhibited over 500 works in a major retrospective of Miro original drawings. Joan Miro died December 25, 1983, in Palma de Mallorca, Spain.

Joan Miro prints and unique original works are commonly seen in museums and art galleries in USA and Europe.

Joan Miró created a large wool and hemp tapestry titled "The World Trade Center Tapestry" that adorned the lobby of 2 World Trade Center. It was destroyed by the collapse of the tower on September 11, 2001. ¹

Historical Joan Miró exhibitions

¹ Lives and Treasures Taken. Library of Congress.

Miro Gravure à l'eau-forte Aquatinte Signé, L\'Oiseau-fusée vise la fourche glissant en cascade vers le point  noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952
Miro Gravure à l'eau-forte Aquatinte Signé, L\'Oiseau-fusée vise la fourche glissant en cascade vers le point  noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952
Miro Gravure à l'eau-forte Aquatinte Signé, L\'Oiseau-fusée vise la fourche glissant en cascade vers le point  noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952
Miro Gravure à l'eau-forte Aquatinte Signé, L\'Oiseau-fusée vise la fourche glissant en cascade vers le point  noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952
Miro Gravure à l'eau-forte Aquatinte Signé, L\'Oiseau-fusée vise la fourche glissant en cascade vers le point  noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952
Miro Gravure à l'eau-forte Aquatinte Signé, L\'Oiseau-fusée vise la fourche glissant en cascade vers le point  noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952
Miro Gravure à l'eau-forte Aquatinte Signé, L\'Oiseau-fusée vise la fourche glissant en cascade vers le point  noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952
Miro Gravure à l'eau-forte Aquatinte Signé, L\'Oiseau-fusée vise la fourche glissant en cascade vers le point  noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952
Miro Gravure à l'eau-forte Aquatinte Signé, L\'Oiseau-fusée vise la fourche glissant en cascade vers le point  noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952
Miro Gravure à l'eau-forte Aquatinte Signé, L\'Oiseau-fusée vise la fourche glissant en cascade vers le point  noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952
Miro Gravure à l'eau-forte Aquatinte Signé, L\'Oiseau-fusée vise la fourche glissant en cascade vers le point  noir (The Rocket-Bird Aims for the Fork Cascading Down Toward the Black Point), 1952