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Email to FriendSigné Karel Appel, Lithographie, Animal, 1971  |
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| Artiste: | Appel, Karel (1921 - 2006) |
|---|---|
| Titre: | Animal, 1971 |
| Moyen: | Lithographie |
| Taille d'image: | 33 in x 22 3/4 in (83.8 cm x 57.8 cm) |
| Taille de feuille: | 35 1/2 in x 24 7/8 in (90.2 cm x 63.2 cm) |
| Taille encadrée: | 49 in x 38 1/2 in (124.5 cm x 97.8 cm) |
| Signé: | Hand-signed and dated by Karel Appel (Amsterdam, 1921 - Zürich, 2006) 'Appel 71' in pencil in the lower right margin. |
| Edition: | Numbered 80/100 (from the edition of 100) in pencil in the lower left margin. |
| Condition: | This work is in excellent condition offering bright vibrant colors. |
| Prix: Article# 3425 | Vendu. Please visit the rest of our Appel fine art collection |
| Description historique: | |
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Dating from 1971, this original color lithograph is hand-signed and dated by Karel Appel (Amsterdam, 1921 - Zürich, 2006) 'Appel 71' in pencil in the lower right margin and numbered 80/100 (from the edition of 100) in pencil in the lower left margin. Brilliantly colored and heavily textured, this work reveals Appel's inclination towards Dutch expressionism from which he creates a distinct stylization through the abandonment of formal structuring. Whimsical in nature, the exuberant application of color captures a quality of spontaneity and experimentation. The artist adeptly juxtaposes contrasting colors increasing their intensity, creating a vital representation of this curious four-legged animal that appears part dog part man. While intensely rendered, the work inspires a sense of good natured joviality evident in the peculiar expression on the blue face of this animal. About Appel and the Cobra Movement: Cobra. A group of Expressionist painters formed in Paris in 1948 by a number of Netherlandish and Scandinavian artists. The name derived from the first letters of the capital cities of the three countries of the artists involved - Copenhagen, Brussels, Amsterdam. The aim of the Cobra artists was to give free expression to the unconscious, unimpeded and undirected by the intellect. In their emphasis on spontaneous gesture, they had affinities with the American Action Painters, but they differed in their strand and fantastic imagery, related in some instances to Nordic mythology and folklore, in others to various magical or mystical symbols of the unconscious. (Oxford Dictionary of 20th Century Art, 1998, pg. 129)
Provenance:
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| Style: | COBRA Contemporary and 20th Century Modern Master |
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La biographie de Karel Appel
Dutch painter, born in Amsterdam. Karel Appel studied at the academy in Amsterdam and had his first show in Groningen, 1946. His early work was influenced by Picasso, Matisse, and Dubuffet. In 1948, with Corneille and Constant, he founded the experimental group and magazine Reflex, which soon thereafter merged with the Cobra movement. It was in Paris, where he had an exhibition in 1949 and took up residence in 1950, that Appel truly mastered his creative powers. He worked freely with color, which he applied in thick blotches as a reaction against the geometric Academicism inherited from neoplasticism, and his subject matter was both broad-ranging and powerful.
A trip to the United States in 1957, where he was introduced to Action Painting, ushered in a new period for Appel, as his work became more dynamic: Two Heads in a Landscape, 1968. He also created polychrome sculptures, stained-glass windows, and mural paintings.
