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Joan Miro, Sur quatre murs (On Four Walls), 1951

Miro Lithographie Signé, Sur quatre murs (On Four Walls), 1951 Signé Joan Miro Lithographie, Sur quatre murs (On Four Walls), 1951

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Miro Lithographie Signé, Sur quatre murs (On Four Walls), 1951 (image 1) Miro Lithographie Signé, Sur quatre murs (On Four Walls), 1951 (image 2) Miro Lithographie Signé, Sur quatre murs (On Four Walls), 1951 (image 3)

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Miro Lithographie Signé, Sur quatre murs (On Four Walls), 1951 (image in room 1)
Miro Lithographie Signé, Sur quatre murs (On Four Walls), 1951 (image in room 2)
Miro Lithographie Signé, Sur quatre murs (On Four Walls), 1951 (image in room 4)
Miro Lithographie Signé, Sur quatre murs (On Four Walls), 1951 (image in room 6)
Miro Lithographie Signé, Sur quatre murs (On Four Walls), 1951 (image in room 9)
Artiste: Miro, Joan (1893 - 1983), After
Titre: Sur quatre murs (On Four Walls), 1951
Référence: M.1708
Moyen:
Lithographie
Taille d'image: 31 3/8 in x 10 1/4 in (79.7 cm x 26 cm)
Taille de feuille: 35 in x 15 1/2 in (88.9 cm x 39.4 cm)
Taille encadrée: 48 in x 29
Signé: Hand signed and dated by Joan Miró (1893-1983) in pencil in the lower right margin, 'Miró | 1951'.
Edition: As issued outside of the numbered edition of 400.
Condition: A great print with rich, vibrant, and saturated color; in great condition.
Prix:
Article# 3600
Vendu, but we have similar works in our Miro collection!
Description historique:

Created in 1951, this rare, color lithograph is hand signed and dated by Joan Miró (1893 - 1983) in pencil in the lower right margin, 'Miró | 1951'. This work is after an original, large-scale mural painting commissioned by Harvard University which now hangs among the collection at the Museum of Modern Art, NY. Under Miró's supervision and approval, the publishers at Maeght éditeur, Paris created an edition of 400 signed impressions of the piece.

The grand, surrealist vision of Miró's world is clearly present here in Sur quatre murs. The ethereal quality of the background is anchored by four, distinct abstract "characters", all reigning true to the artist's unique sensibilities as a modern master. As if read from left to right like an ancient Asian scroll, our imaginations run wild amidst the story that unfolds with our boldly colored and surrealistic friends. Many primary colors were part of Miró's typical palette, using red, yellow, green, and blue in this piece.

Catalogue Raisonné & COA:
It is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work).
1. Dupin, J. & Lelong-Mainaud, A. (2001). Joan Miró: Catalogue Raisonné, Paintings Vol. III 1942-1955. Daniel Lelong éditeur: Paris. Original painting is listed and illustrated as catalogue raisonné no. 893 on pgs. 176-7.
2. Catalogued as Maeght 1708.

About the Framing:
Conservation framed with museum quality, archival materials, this work is set in a Spanish-style gold and black moulding with a delicate organic motif and a sleek black border. The muted gold hues complement the bright and bold colors within the work. Completed with white, linen-wrapped mats and a matching gold inner fillet, this work is set behind an archival Plexiglas® cover.

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Style: Modern Master
Miro Lithographie Signé, Sur quatre murs (On Four Walls), 1951
Miro Lithographie Signé, Sur quatre murs (On Four Walls), 1951
Miro Lithographie Signé, Sur quatre murs (On Four Walls), 1951
Miro Lithographie Signé, Sur quatre murs (On Four Walls), 1951
Miro Lithographie Signé, Sur quatre murs (On Four Walls), 1951
Miro Lithographie Signé, Sur quatre murs (On Four Walls), 1951
Miro Lithographie Signé, Sur quatre murs (On Four Walls), 1951
Miro Lithographie Signé, Sur quatre murs (On Four Walls), 1951
Miro Lithographie Signé, Sur quatre murs (On Four Walls), 1951
Miro Lithographie Signé, Sur quatre murs (On Four Walls), 1951
Miro Lithographie Signé, Sur quatre murs (On Four Walls), 1951

Joan Miro biographie

Joan MiroJoan Miro (1893 - 1983)

Joan Miró Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonja’s Escuela Superior de Artes Industriales y Bellas Artes in the same city. Upon completing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915. Miró received early encouragement from the dealer José Dalmau, who gave him his first solo show at his gallery in Barcelona in 1918. In 1917, he met Francis Picabia.

In 1920, Miró made his first trip to Paris, where he met Pablo Picasso. From this time, Miró divided his time between Paris and Montroig, Spain. In Paris, he associated with the poets Max Jacob, Pierre Reverdy, and Tristan Tzara and participated in Dada activities. Dalmau organized Miró’s first solo show in Paris, at the Galerie la Licorne in 1921. His work was included in the Salon d’Automne of 1923. In 1924, Miró joined the Surrealist group. His solo show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; Miró was included in the first Surrealist exhibition at the Galerie Pierre that same year. He visited the Netherlands in 1928 and began a series of paintings inspired by Dutch masters. This year he also executed his first papiers collés and collages. In 1929, he started his experiments in lithography. Miro's first etchings date from 1933. During the early 1930s, he made Surrealist sculptures incorporating painted stones and found objects. In 1936, Miró left Spain because of the civil war; he returned in 1941. Also in 1936, Miró was included in the exhibitions Cubism and Abstract Art and Fantastic Art, Dada, Surrealism at the Museum of Modern Art, New York. The following year, he was commissioned to create a monumental work for the Paris World’s Fair.

Miró’s first major museum retrospective was held at the Museum of Modern Art, New York, in 1941. That year, Miró began working in ceramics with Josep Lloréns y Artigas and started to concentrate on prints; from 1954 to 1958, he worked almost exclusively in Miro prints and ceramics. He received the Grand Prize for Graphic Work at the Venice Biennale in 1954, and his work was included in the first Documenta exhibition in Kassel the following year. In 1958, he was given a Guggenheim International Award for murals for the UNESCO building in Paris. The following year, he resumed painting, initiating a series of mural-sized canvases. During the 1960s, he began to work intensively in sculpture. Miró retrospectives took place at the Musée National d’Art Moderne, Paris, in 1962, and the Grand Palais, Paris, in 1974. He also worked with carborundum around this time. In 1978, the Musée National d’Art Moderne exhibited over 500 works in a major retrospective of Miro original drawings. Joan Miro died December 25, 1983, in Palma de Mallorca, Spain.

Joan Miro prints and unique original works are commonly seen in museums and art galleries in USA and Europe.

Joan Miró created a large wool and hemp tapestry titled "The World Trade Center Tapestry" that adorned the lobby of 2 World Trade Center. It was destroyed by the collapse of the tower on September 11, 2001. ¹

Historical Joan Miró exhibitions

¹ Lives and Treasures Taken. Library of Congress.

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