Callot, Jacques, Birth of the Virgin from Life of the Virgin, c. 1632 - 1633
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Email to FriendJacques Callot, Gravure, Birth of the Virgin from Life of the Virgin, c. 1632 - 1633  |
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| Artiste: | Callot, Jacques (1592 - 1635) |
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| Titre: | Birth of the Virgin from Life of the Virgin, c. 1632 - 1633 |
| Moyen: | Gravure |
| Taille d'image: | 2 3/4 in x 1 3/4 in (7 in x 4.4 cm) |
| Taille de feuille: | 2 3/4 in x 1 3/4 in (7 in x 4.4 cm) |
| Taille encadrée: | approx. 15 in x 13 in (38.1 cm x 33 cm) |
| Signé: | Signed in the plate in the lower left 'Callot fecit' and in the lower right 'Israel excudit.' |
| Condition: | This work is in excellent condition; trimmed along the plate mark. |
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Prix spécial
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Article# 3742
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An exemplary old master print, Birth of the Virgin is composed of intricately rendered lines. The artist's mastery at conveying immense detail on such a small scale speaks for his incredible skill and handling of this medium. |
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Gallery Price: This is a common gallery retail price Read more about our pricing |
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| Description historique: | |
This small scale work conveys in intricate detail the birth of the Virgin Mary.
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La biographie de Jacques Callot
French engraver and draughtsman. Jacques Callot went to Italy when he was in his teens and, working in Rome and then in Florence at the court of the Grand Duke Cosimc II (1590-1621), he learned to combine the sophisticated techniques and exaggerations of late Mannerism with witty and acute observation into a brilliantly expressive idiom. Returning to France in 1621 he became one of the chief exponents of the bizarre and grotesque which came into vogue in the reign of Louis XIII (1601-43). Most of the remainder of his career was spent in his native Nancy, but he also worked in Paris and the Low Countries. He made a specialty of beggars and deformities, characters from the picaresque novel and the Italian commedia dell'arte. In this respect he comes close to Bellange, also active in Nancy, but Callot's style was more realistic. His last great work, the series of etchings entitled the Grandes Miséres de la Guerre followed the invasion of Lorraine by Car Richelieu in 1633, and is a harrowing depiction the atrocities of war; its themes and imagery were used as a source by Goya. His output was prodigious; more than a thousand Callot etchings and drawings by him are extant, and some of his plates are large, featuring scores of brilliantly arranged figures. Jacques Callot was one of the greatest of all etchers and one of the first major creative artists to work exclusively in the graphic arts.
