Arman Sculptures and Tapestries
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Arman

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Armand Fernandez. French born sculptor who settled in New York in 1963 and became an American citizen in 1972. He was born in Nice and studied brie… [Lire la biographie »]


Arman, Ali Baba, 2005
Arman, Violin, 2004
Arman, Violin, 2004
Arman, Untitled (Saxophone), 1984
Arman, Komposition Med Penslar
Arman, Tubes de Couleurs
Arman, Double Châssis, 1994

Arman sculptures, hand-knotted tapestries, color screenprints, and beer cap hanging works all speak to a fascination with form, music & rhythm.

 
Arman, Ali Baba, 2005
Titre: Ali Baba, 2005
Artiste: Arman
Moyen:
Bois Sculpture
Taille d'image: 51 1/4 in x 41 1/4 in x 2 1/4 in (130.2 cm x 104.8 cm x 5.7cm)
Signé: Hand signed by Fernandez Arman (1928 - 2005) in silver ink
Edition: Annotated 'EA I/IV' on the wood mount (aside from the edition of 8 and 2 hors commerce)
Condition: This work is in good condition.
Prix spécial 
$100,000
Article# 2785
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Arman pays homage to his love of music in this monumental work. 28 violins of varnished iron are represented in this rhythmic, fabulous piece, part sculpture, part installation.


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Arman, Violin, 2004
Titre: Violin, 2004
Artiste: Arman
Moyen:
Sculpture
Taille d'image: 25”
Signé: Hand etched signed by Fernandez Arman (Nice, 1928 - New York, 2005).
Edition: From the edition of 100.
Condition: This work is in excellent condition.
Prix spécial 
$28,000
Article# 3879
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Displaying Arman's love of the violin, this work adeptly captures both the solidity of the instrument and the emotional range of the music that it produces.


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Arman, Violin, 2004
Titre: Violin, 2004
Artiste: Arman
Moyen:
Sculpture
Taille d'image: 25”
Signé: Hand etched signed by Fernandez Arman (Nice, 1928 - New York, 2005).
Edition: From the edition of 100.
Condition: This work is in pristine condition.
Prix spécial 
$28,000
Article# 3878
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Displaying Arman's love of the violin, this work adeptly captures both the solidity of the instrument and the emotional range of the music that it produces.


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Gallery Price: This is a common gallery retail price
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Arman, Untitled (Saxophone), 1984
Titre: Untitled (Saxophone), 1984
Artiste: Arman
Moyen:
Sculpture
Taille d'image: DIMENSIONS: 30 x 19 x 8 in (76.2 x 48.3 x 20.3 cm)
Signé: Hand signed by Fernandez Arman (Nice, 128 - New York, 2005) along lower side of the sculpture.
Edition: Annotated E.A. (Epreuve d'Artiste or artist's proof) along the lower side of the sculpture.
Condition: This work is in pristine condition.
Prix 
$35,000
Article# 3076
MFA SALE 50% Off: $17,500 
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Retaining a certain lightness of form, this stunning sculpture clearly exemplifies Arman's delicate touch when working with metal. Remarkably designed, this piece retains a sense of uniformity despite its disconnected appearance addressing the concept of unity amidst division.


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Arman, Komposition Med Penslar
Titre: Komposition Med Penslar
Artiste: Arman
Moyen:
Écran de soie sure toile
Taille d'image: 30 in x 22 7/16 in (76 cm x 57 cm)
Taille encadrée: 32 1/4 in x 24 1/2 in (81.9 cm x 62.2 cm)
Signé: Hand-signed by Fernandez Arman (Nice, 1928 – New York, 2005) in brown ink in the lower right
Condition: This work is in excellent condition.
Prix 
$25,000
Article# 3147
MFA SALE 50% Off: $12,500 
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Thinking outside of the box, Arman incorporates an unlikely pairing in this spectacular work: the violin and the paintbrush. The colorful paintbrushes tilt and turn, relaying a sense of frenetic motion, as if they are in the process of painting the violin.


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Arman, Tubes de Couleurs
Titre: Tubes de Couleurs
Artiste: Arman
Moyen:
Tapisseries Tissées par main
Taille d'image: 98 7/16 in x 70 15/16 in (250 cm x 180 cm)
Taille encadrée: 98 7/16 in x 70 15/16 in (250 cm x 180 cm)
Signé: Hand signed by Fernandez Arman (Nice, 1928 - New York, 2005) in blue ink on the label on the reverse; woven signature in black on verso.
Edition: Numbered 9/100 (from the edition of 100) in black marker on the label on the reverse; published by Art Surface, Paris.
Condition: This piece is in excellent condition.
Prix 
$25,000
Article# 3132
MFA SALE 50% Off: $12,500 
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Exemplifying his ability to work in a variety of mediums, this original wool tapestry addresses a significant concept within Arman's work: the accumulation of vast quantities of the same object. In this striking work, he arranges colorful tubes of paint, playing with the idea of one medium upon an entirely different medium.


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Arman, Double Châssis, 1994
Titre: Double Châssis, 1994
Artiste: Arman
Moyen:
Sculpture
Taille d'image: 11.4 in x 7.9 in (29 cm x 20 cm)
Signé: Signature etched into the bronze base by Fernandez Arman (Nice, 1928 – New York, 2005)
Edition: Etched into the side of the base, 'bocquel rd. 45/140'
Condition: This work is in pristine condition.
Prix 
$15,000
Article# 2229
MFA SALE 50% Off: $7,500 
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Composed of disjointed saxophones divided and stacked in the fashion of a pyramid, this tower of music relays the impression of ordered chaos. This stunning work retains a sense of animation, as if we can almost imagine the soulful music produced by the subject of this glistening bronze sculpture.


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Arman biographie

 Arman Arman (1928 - 2005)

Armand Fernandez. French born sculptor who settled in New York in 1963 and became an American citizen in 1972. He was born in Nice and studied briefly in Paris at the Ecole des Arts Decoratifs and the Ecole du Louvre. In 1957, with his friend Yves Klein, he decided to be known by his first name only, and the form 'Arman' was adopted in 1958 as the result of a printer's error on the cover of a catalogue. Like Klein, he was interested in Japanese culture, particularly Zen Buddhism, and (again like Klein) he worked for a time as a judo instructor. In the early 1960s Arman gained a reputation as one of the leading exponents of Nouveau Réalisme and he is best known for his assemblages of junk material. These range from modest collections of household debris (Accumulation of Sliced Teapots, Walker Art Center, Minneapolis, 1964) to a huge tower (about 20 meters high) of 60 automobiles embedded in cement (Long-Term Parking, Cartier Museum, jouy-en-josas, 1982).

Chilvers, Ian, Oxford Dictionary of 20th Century Art, Oxford, New York, Oxford University Press, 1998.