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Georges Braque

Georges Braque s'est fait reconnaître sur la scène de l'art français au début du 19ème siècle amenant le mouvement impressionniste vers l'esthétisme rafraîchissant du cubisme. Avec ses imageries abstraites de natures mortes, d'oiseaux et de fleurs, le travail de Braque se rapproche de celui de Picasso. Ensemble, ils ont aidé à construire le concept de l'art moderne tel qu'on le perçoit aujourd'hui. Connu pour ses couleurs, ses paysages et ses géométries féminines, l'œuvre de Braque se complète par de nombreuses lithographies, gravures et aquatintes.
[Lire la biographie »]

Georges Braque lithograph, Hommage a J. S. Bach
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La Barque, 1950
Georges Braque , D'après
Hand Signed Color Collotype
USD currency
$8,000
Article# 4072
Torero, 1950
Georges Braque , D'après
Hand Signed Color Photolithograph
USD currency
$8,000
Article# 4071
Poissons (Fish), c. 1956
Georges Braque , D'après
Hand Signed Color Etching
USD currency
$8,000
Article# 3049
Vase of Yellow Flowers, 1960
Georges Braque , D'après
Hand Signed Color Etching
USD currency
$8,000
Article# 2881
Les Champs, 1962
Georges Braque , D'après
Hand Signed Color Lithograph
USD currency
$6,500
Article# 3030

Georges Braque biographie

Georges BraqueGeorges Braque (1882 - 1963)

Georges Braque was born 1882, in Argenteuil-sur-Seine, France. He grew up in Le Havre and studied evenings at the Ecole des Beaux-Arts from about 1897 to 1899. He left for Paris to study under a master decorator and received his craftsman certificate in 1901. From 1902 to 1904 he painted at the Académie Humbert in Paris, where he met Marie Laurencin and Francis Picabia. By 1906, Braque's work was no longer Impressionist but Fauve in style and after spending that summer in Antwerp, he showed his Fauve work the following year in the Salon des Indépendants in Paris.

His first solo show was at Daniel-Henri Kahnweiler's gallery in 1908 and in 1909, Pablo Picasso and Braque worked together in developing Cubism. By 1911, their styles were extremely similar and in 1912 they started to incorporate collage elements into their paintings and to experiment with the papier collé (pasted paper) technique. Their artistic collaboration lasted until 1914 when Braque left to serve in the French army during World War I and was subsequently wounded.

After World War I Braque's work changed and became freer and less schematic. In 1922 he did an exhibition at the Salon d'Automne in Paris where his fame continued to grow. By the end of the decade, he had returned to a more realistic interpretation of nature, although certain aspects of Braque's Cubism always remained present in his work. His first important retrospective took place in 1933 at the Kunsthalle Basel, and he won First Prize at the Carnegie International, Pittsburgh, in 1937.

During World War II, Braque remained in Paris. His paintings at that time, primarily still lifes and interiors, became more somber. In addition to paintings, he also made etchings, lithographs, engravings, prints and sculpture. From the late 1940s, he treated various recurring themes, such as birds, ateliers, landscapes, and seascapes. In 1954, he designed stained-glass windows for the church of Varengeville. During the last few years of his life, he continued to paint, make lithographs, and design jewelry, dying in 1963 in Paris.

Why Braque?

Considered one of the most important artists of the 20th Century, Braque's aquatints and lithographs are dynamic. Never the same style or interpretation, his still lifes, birds and flowers speak to change and sentiment.

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Artistic Styles of Braque

Les styles de Georges Braque: Picasso Cubism, Cubist 20th Century French Modern Master

News About Braque

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