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Käthe Kollwitz

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One of the most influential and famous German printmakers of the twentieth century, Käthe Kollwitz starkly depicted the plight of the poor and… [Lire la biographie »]


 
Titre: Weberzug (March of the Weavers), c. 1893-1897
Artiste: Kollwitz, Käthe
Moyen:
Gravure à l'eau-forte
Taille d'image: 11 1/2 in x 8 1/2 in (29.5 cm x 21.6 cm)
Taille encadrée: 31 in x 28 1/4 in (78.7 cm x 71.8 cm)
Edition: From the von der Becke edition between 1963/65 and 1972; According to Knesebeck, this work is a State V d (of V d); with von der Becke's Munich embossed seal in the lower right of the image.
Condition: This work is in excellent condition
Prix 

Article# 3207
$7,000 Submit Best Offer

Pour parler directement avec le Directeur, Alex Adelman, s'il vous plaît appeler (510) 777-9970 / 1-800-805-7060.

 
Titre: Beratung (Conspiracy), c. 1893-1897
Artiste: Kollwitz, Käthe
Moyen:
Lithographie
Taille d'image: 10 3/4 in x 6 1/2 in (27.4 cm x 16.8 cm)
Taille encadrée: 31 1/4 in x 26 3/4 in (79.6 cm x 67.9 cm)
Edition: According to Knesebeck, this work is a State B impression, from the editions by von der Becke as of 1931, printed in brown-black on copperplate paper.
Condition: This work is in excellent condition
Prix 

Article# 3209
$6,000 Submit Best Offer

Pour parler directement avec le Directeur, Alex Adelman, s'il vous plaît appeler (510) 777-9970 / 1-800-805-7060.

 
Titre: Tod (Death), c. 1893-1897
Artiste: Kollwitz, Käthe
Moyen:
Lithographie
Taille d'image: 8 3/4 in x 7 1/4 in (22.3 cm x 18.5 cm)
Taille encadrée: 29 1/8 in x 27 3/8 in (74 cm x 70 cm)
Edition: According to Knesebeck, this work is a State B impression, from the editions by von der Becke as of 1931, printed in brown-black on copperplate paper with the von der Becke blindstamp in the lower right.
Condition: This work is in excellent condition
Prix 

Article# 3208
$6,000 Submit Best Offer

Pour parler directement avec le Directeur, Alex Adelman, s'il vous plaît appeler (510) 777-9970 / 1-800-805-7060.

 
Titre: Gefangene, Musik Horend (Prisoners Listening to Music), 1925
Artiste: Kollwitz, Käthe
Moyen:
Lithographie
Taille d'image: 13 1/8 in x 12 5/8 in (33.4 cm x 32 cm)
Taille de feuille: 19 in x 16 1/8 in (48.3 cm x 41 cm)
Taille encadrée: 29 1/8 in x 27 in (74 cm x 68.6 cm)
Signé: Hand-signed by Käthe Kollwitz (1867-1945) in pencil in the lower right.
Edition: According to Knesebeck, this work is from the State III (of III).
Condition: This work is in good condition; some conservation to sheet not affecting the image.
Prix 

Article# 2748
$6,000 Submit Best Offer

Pour parler directement avec le Directeur, Alex Adelman, s'il vous plaît appeler (510) 777-9970 / 1-800-805-7060.

 
Titre: Aus vielen Wunden blutest du, o Volk (You Bleed from Many Wounds, O People), 1896
Artiste: Kollwitz, Käthe
Moyen:
Gravure à l'eau-forte
Taille d'image: 5 in x 13 1/4 in (12.6 cm x 33.7 cm)
Taille de feuille: 17 5/16 in x 12 1/2 in (44 cm x 31.8 cm)
Taille encadrée: 33 9/16 in x 25 1/2 in (85.2 cm x 64.8 cm)
Edition: From the edition of the Becke between 1946/48 and 1963/65; According to Knesebeck, this work is a State IV c (of IV d).
Condition: This work is in excellent condition
Prix 

Article# 2887
$4,000 Submit Best Offer

Pour parler directement avec le Directeur, Alex Adelman, s'il vous plaît appeler (510) 777-9970 / 1-800-805-7060.

 
Titre: Eltern mit Kind (Parents with Child)
Artiste: Kollwitz, Käthe
Moyen:
Lithographie
Taille d'image: 9 in x12 1/2 in (22 1/2 x 31 1/2 cm)
Taille de feuille: 13 in x 15 in (33 cm x 38.1 cm)
Taille encadrée: 23 in x 27 in (58 1/2 x 68 1/2 cm)
Signé: stamp signed, Kathe Kollwitz, LR
Edition: Est. 1 of 2nd run of 1931 proofs
Condition: Excellent
Prix:

Article# 1047
$VENDU

Les styles de Käthe Kollwitz: Expressionism, 20th Century German Modern Expressionist

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Käthe Kollwitz biographie

Käthe KollwitzKäthe Kollwitz (1867 - 1945)

One of the most influential and famous German printmakers of the twentieth century, Käthe Kollwitz starkly depicted the plight of the poor and denounced the atrocities of war. Working at a time when many artists used their art to investigate formal problems, Kollwitz devoted herself to describing the human condition. She declined the use of color, letting her vigorously clear and articulate line express urgency and social purpose, and her simplification of form and the absence of extraneous detail contribute to the power of her work.

Käthe Schmidt Kollwitz was born to a large family in East Prussia which valued freedom, mutual respect, social activism, and spiritual dedication. Kollwitz recalled that "from my childhood on, my father had expressly wished me to be trained for a career as an artist, and he was sure there would be no great obstacles to my becoming one."(1)

She began formal training at age fourteen under the engraver Rudolf Mauer, and, at seventeen she moved to Berlin where she enrolled in the School for Women Artists. While a student in Berlin, Kollwitz's teacher encouraged her to seek out the work of Max Klinger. She went to see Klinger's series of etchings A Life at an exhibit which "excited me tremendously."(2) Captivated by Klinger's work and deeply influenced by the writings of Émile Zola, Kollwitz turned to etching and lithography to depict social issues. Her marriage in 1891 to physician Karl Kollwitz, and his medical practice in a poor, working class section of Berlin further exposed her to a wide range of suffering and tragedy which would become the subject of her work over the next fifty years.

1. Hans Kollwitz, ed. The Diary and Letters of Kaethe Kollwitz (Evanston: Northwestern University Press, 1988), 37.

2. Kollwitz, The Diary, 39.