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Claude Monet

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Claude Monet was a French Impressionist painter. He is regarded as the archetypal Impressionist in that his devotion to the ideals of the movement … [Lire la biographie »]


 
Monet, Tempête à Belle-île, 1908
Tempête à Belle-île, 1908
Artiste: Monet, Claude
Moyen:
Lithographie
Taille d'image: 9 5/8 in x 8 in ( 24.6 cm x 20.3 cm)
Taille de feuille: 22 5/16 in x 15 11/16 in (56.7 cm x 39.8 cm)
Signé: This work is hand-signed by Claude Monet (Paris, 1840 - Governy, 1926) in pencil in the lower left; also hand-signed in pencil by George Thorney in the lower right.
Edition: From the edition of 25; printed by Belfond & Cie, Paris and marked by their blind stamp in the lower right.
Condition: This work is excellent condition.
Prix 
$40,000
Article# 3808
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In this dramatic work, Monet returns to water as a subject all its own. Depicting waves rising up like mountains, he captures the intensity of this ocean storm.


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Monet, Vétheuil dans le brouillard (Vétheuil in the Fog), c. 1908
Vétheuil dans le brouillard (Vétheuil in the Fog), c. 1908
Artiste: Monet, Claude
Moyen:
Lithographie
Taille d'image: 9 7/8 in x 8 in (25 cm x 20.3 cm)
Taille de feuille: 22 1/2 in x 15 1/2 in (57.2 cm x 39.4 cm)
Taille encadrée: 27 3/4 in x 26 1/16 in (70.5 cm x 66.2 cm)
Signé: This work is hand-signed by Claude Monet (Paris, 1840 - Giverny, 1926) in pencil in the lower left margin; also hand signed in pencil by the printer G. W. Thornley in the lower right margin.
Edition: From an edition of only 25 proofs hand signed by both Claude Monet (Paris,1840 - Giverny, 1926) and G.W. Thornley (there was a further edition of 100 that were not signed by Monet but that had a block stamp). This piece is also stamped with the publisher's blind stamp in the lower left, Goupil Paris.
Condition: This work is excellent condition.
Prix 
$35,000
Article# 4275
Questions? Présenter votre prix Acheter maintenant

Mysterious and ethereal, this fog covered scene is hauntingly beautiful. We can just make out the cathedral in a vast landscape, as Monet conveys his unique impressionist style in the lithographic medium.


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Monet, Ravin de la petite creuse, 1908
Ravin de la petite creuse, 1908
Artiste: Monet, Claude
Moyen:
Lithographie
Taille d'image: 11 5/8 in x 8 1/4 in (29.5 cm x 21 cm)
Taille de feuille: 22 1/2 in x 15 3/4 in (57.2 cm x 40 cm)
Taille encadrée: approx. 33 7/8 in x 30 1/2 in (86 cm x 77.5 cm)
Signé: This work is hand-signed by Claude Monet (Paris, 1840 - Giverny, 1926) in pencil in the lower left hand side of the work; in addition the signature of the printer, G. W. Thornley appears in the lower right.
Edition: From an edition of only 25 proofs hand-signed by both Claude Monet (Paris,1840 - Giverny, 1926) and G.W. Thornley (there was a further edition of 100 that were not signed by Monet but had a block stamp). This piece is also stamped with the publisher's blind stamp in the lower left and printer's blind stamp in red in the lower right; printed in greenish blue on grayish green Chine appliqué.
Condition: This work is in excellent condition.
Prix 
$30,000
Article# 4080
Questions? Présenter votre prix Acheter maintenant

A touching and beautifully haunting tribute to one of Monet's favorite places in Fresselines, this scenery is visually striking for the exquisite details made to the curvature of the landscape and the color palate of muted greens, blues, and grays.


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Monet, Blanche Painting, c. 1892-3
Blanche Painting, c. 1892-3
Artiste: Monet, Claude
Référence: Wildenstein 1330
Moyen:
Lithographie
Taille d'image: 8 in x 6 1/2 in (20.3 x 16.5 cm)
Taille de feuille: 22 1/2 in x 15 3/4 in ( 52.1 x 40 cm)
Taille encadrée: Approx. 34 in x 28 in (86.4 cm x 71.1 cm)
Signé: This work is hand-signed by Claude Monet (Paris, 1840 - Governy, 1926) in pencil in the lower left; printer G.W. Thornley hand-signed the work in pencil in the lower right, and the work also bears his red ink stamp.
Edition: From the rare edition of 25 hand-signed proofs.
Condition: This work is in excellent condition with full margins.
Prix:
Article# 3892
Vendu
 
Monet, La Côte Sauvage, c. 1908
La Côte Sauvage, c. 1908
Artiste: Monet, Claude
Moyen:
Lithographie
Taille d'image: 8 1/4 in x 11 in (21 cm x 28 cm
Taille de feuille: 22 1/2 in x 15 1/2 in (57.2 cm x 39.4 cm)
Taille encadrée: 35 1/4 in x 32 5/8 in (89.5 cm x 82.9 cm)
Signé: This work is hand-signed by Claude Monet (Paris, 1840 - Giverny, 1926) in pencil in the lower left hand side of the work; in addition the signature of the printer, G. W. Thornley appears in the lower right.
Edition: From an edition of only 25 proofs hand signed by both Claude Monet (Paris,1840 - Giverny, 1926) and G.W. Thornley (there was a further edition of 100 that were not signed by Monet but had a block stamp). This piece is also stamped with the publisher's blind stamp in the lower left and the printer's blind stamp in red ink in the lower right.
Condition: This work is in excellent condition, a fine dark impression with full margins.
Prix:
Article# 3329
Vendu
 
Monet, Bâteaux de pêche, Étretat, c. 1892
Bâteaux de pêche, Étretat, c. 1892
Artiste: Monet, Claude
Moyen:
Lithographie
Taille d'image: 10 in x 7 1/4 in (25.4 cm x 18.4 cm)
Taille de feuille: 22 1/2 in x 15 3/4 in (57.2 cm x 40 cm)
Taille encadrée: 33 7/8 in x 30 1/2 in (86 cm x 77.5 cm)
Signé: This work is hand-signed by Claude Monet (Paris, 1840 - Giverny, 1926) in pencil in the lower left hand side of the work; in addition the signature of the printer, G. W. Thornley appears in the lower right.
Edition: From an edition of only 25 proofs hand signed by both Claude Monet (Paris, 1840 - Giverny, 1926) and G.W. Thornley (there was a further edition of 100 that were not signed by Monet but had a block stamp). This piece is also stamped with the publisher's blind stamp in the right and the printer's blind stamp in red ink in the lower right; printed in reddish brown on cream Chine appliqué.
Condition: This work is in excellent condition, a fine dark impression with full margins.
Prix:
Article# 3308
Vendu
 
Monet, La Plage et la Falaise d'Amont, c. 1908
La Plage et la Falaise d'Amont, c. 1908
Artiste: Monet, Claude
Moyen:
Lithographie
Taille d'image: 8 1/4 in x 7 1/2 in (21cm x 19.1 cm)
Taille encadrée: 31 in x 29 1/2 in (78.7 cm x 74.9 cm)
Signé: This work is hand-signed by Claude Monet (Paris, 1840 - Giverny, 1926) in pencil in the lower left; also hand-signed in pencil by George Thornley in the lower right.
Edition: Unique in coloration; printed by Belfond & Cie, Paris and marked by their blind stamp in the lower right.
Condition: This work is in excellent condition.
Prix:
Article# 3232
Vendu

Monet is regarded as the archetypal Impressionist in that his devotion to the ideals of the movement was unwavering throughout his long career.

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Claude Monet biographie

Claude MonetClaude Monet (1840 - 1926)

Claude Monet was a French Impressionist painter. He is regarded as the archetypal Impressionist in that his devotion to the ideals of the movement was unwavering throughout his long career, and it is fitting that one of his pictures-Impression: Sunrise (Musee Marmottan, Paris, 1872) gave the group its name. His youth was spent in Le Havre, where he first excelled as a caricaturist but was then converted to landscape painting by his early mentor Boudin, from whom he derived his firm predilection for painting out of doors: 'By the single example of this painter devoted to his art with such independence, my destiny as a painter opened out to me.'

In 1859 he studied in Paris at the Atelier Suisse and formed a friendship with Pissarro. After two years' military service in Algiers, he returned to Le Havre and met Jongkind, to whom he said he owed 'the definitive education of my eye'. He then, in 1862, entered the studio of Gleyre in Paris and there met Renoir, Sisley, and Bazille, with whom he was to form the nucleus of the Impressionist group. Monet's devotion to painting out of doors is illustrated by the famous story concerning one of his most ambitious early works, Women in the Garden (Musee d' Orsay, Paris, 1866-7). The picture is about 2.5 in. high and to enable him to paint all of it outside he had a trench dug in the garden so the canvas could be raised or lowered by pulleys to the height he required. Courbet visited him when he was working on it and said Monet would not paint even the leaves in the background unless the lighting conditions were exactly right.

During the Franco-Prussian War (1870-1) Claude Monet took refuge in England with Pissarro: he studied the work of Constable and Turner, painted the Thames and London parks, and met the dealer Durand-Ruel, who was to become one of the great champions of the Impressionists. From 1871 to 1878 he lived at Argenteuil, a village on the Seine near Paris, and here were painted some of the most joyous and famous works of the Impressionist movement, not only by Monet, but by his visitors Edouard Manet, Pierre-Auguste Renoir, and Sisley. In 1878 he moved to Vetheuil and in 1883 he settled at Giverny, also on the Seine, but about 40 miles from Paris.

After having experienced extreme poverty, Monet began to prosper. By 1890 he was successful enough to buy the house at Giverny he had previously rented and in 1892 he married his mistress, with whom he had begun an affair in 1876, three Years before the death of his first wife. From 1890 he concentrated on a series of pictures in which he painted the same subject at different times of the day in different lights - Haystacks or Grainstacks (1890-1) and Rouen Cathedral (1891-5) are the best known. He continued to travel widely, visiting London and Venice several times (and also Norway as a guest of Queen Christiana), but increasingly his attention was focused on the celebrated water-garden he created at Giverny, which served as the theme for the series of paintings on Waterlilies that began in 1899 and grew to dominate his work completely (in 1914 he had a special studio built in the grounds of his house so he could work on the huge canvases). In his final years he was troubled by failing eyesight, but he painted until the end, completing a great decorative scheme of water-lily paintings that he donated to the nation in the year of his death. They were installed in the Orangerie, Paris, in 1927. Monet was enormously prolific. Claude Monet lithographs, paintings and drawings are in many major galleries around the world.